Here's the LINK
Thursday, 27 November 2014
Saturday, 15 November 2014
So back when I shot the A Distant Shore Series with Jodie Winyan there was a second series, Tempest
Tempest was shot on the same day in my living room with the same Bowens Gemini light & 1.2 mtr Octobox. Oh, and 10 metres of white, sheer, material.
Now whilst I had had plenty of time to prepare for this shoot most of my energy had been focused on the 'Distant Shore' theme. This second theme was always about two distinct images and how to achieve them. The first theme had a story to guide it. Give it a direction to develop in as we shot.
Whilst having two distinct images in mind for the second 'look' may have proven enough for, say a fashion shoot or advert, I was in full on story mode and keen to shoot as much as possible. I already knew the first series was going to yield some great shots so I was determined to make the most of this new setup.
After twenty minutes of trying every possible pose we decided to stop and so avoid repetition. All that was left was for me to pick out the best shots and edit them. No so easy when your vision only went as far as two key images. Coming off of the success of the first series my expectations were high but without I a clear story in my head I was struggling to build a sequence that was of any merit. Not to mention the editing and post processing was just a series of experiments as I looked for something that would work.
All the while this is going on I also have real life to contend with. Which means these images were taking longer than usual to complete. Then one morning I turn on my PC load up Lightroom and hate what I see ! There was too much Photoshop, too many layers and manipulation. The focus of the pictures was lost because the 'over editing' was destroying them. I needed to start again, strip back, simplify. Only now I had a better idea of what to do.
An important part of any story is the journey and that includes the creation. This set of photographs was being difficult. I was not making it easy for me to see past the surface. So I made that part of the story. I made our 'Tempestuous' relationship the thread that linked the images in the series and informed the style of edit.
What could have been a disaster was saved by using the experience of creation as a key part in the presentation and style of the work.
'Every project is personal'
I've always believed that. Now more than ever !
Sunday, 2 November 2014
Or so the song goes.
Anyway, a few weeks ago I finally got to do a photo shoot with Jodie Winyan and give my 1,2 mtr octobox a real workout. Think 'The French Lieutenants Woman' & 'Wuthering Heights' for the concept. A solitary woman lost in her thoughts about a lover who may or may not be returning.
Oh the drama !
Anyway it was shot in my living room next to the TV and fireplace. No, seriously. I pulled the sofa out into the dining room put up a collapsible backdrop in front of the living room window. Bowens Gemini 250 watt studio light (about 1/3 power) with my 1.2 mtr octobox, on a light stand, up against the wall to the left. An optional reflector, against the bookcase, to the right. Then the backdrop was a black bed sheet with a length of 1.5 mtr wide black fine netting. Importantly the creases were left in for texture.
A black dress fro Ebay, some artificial lilies and red ribbon for symbolism, then throw in an electric fan to create movement (only for it to die after 5 mins).
Note, the main light is aimed passed the subject, not at her, this way the light can wrap around her more easily. This makes the reflector optional.
ISO - 100
Focal length - 80 mil
Aperture - 3.5
@ 1/90 sec.
All that was left was to go into Photoshop do a little retouch and post processing with a couple of custom filters and actions. Then release into an unsuspecting world.
Full picture set here